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Gallery Geranmayeh
  • Home
  • About
  • Artists
  • Artists
    • Gail Biederman
    • Peter Fox
    • Kathleen Kucka
    • Steven Millar
    • Vargas-Suarez Universal
    • Cibele Vieira
    • Jan Maarten Voskuil
    • Rachael Wren
  • Artist Exhibited
    • Golnar Adili
    • Cat Balco
    • Peter Barrett
    • Isidro Blasco
    • Rachel Beach
    • Jonathan Brand
    • Vicky Colombet
    • Sam Friedman
    • Brett Froomer
    • Lisa Hamilton
    • Oswaldo Maciá
    • Shelter Serra
    • MiYoung Sohn
    • Natasha Sweeten
    • Adine Sagalyn
    • Christophe Von Hohenberg
  • Contact

  • Home
  • About
  • Artists
  • Artists
    • Gail Biederman
    • Peter Fox
    • Kathleen Kucka
    • Steven Millar
    • Vargas-Suarez Universal
    • Cibele Vieira
    • Jan Maarten Voskuil
    • Rachael Wren
  • Artist Exhibited
    • Golnar Adili
    • Cat Balco
    • Peter Barrett
    • Isidro Blasco
    • Rachel Beach
    • Jonathan Brand
    • Vicky Colombet
    • Sam Friedman
    • Brett Froomer
    • Lisa Hamilton
    • Oswaldo Maciá
    • Shelter Serra
    • MiYoung Sohn
    • Natasha Sweeten
    • Adine Sagalyn
    • Christophe Von Hohenberg
  • Contact
Exhibitions
  • Constructing Destruction
  • Round Trip
  • Past Exhibitions
    • Cibele Vieira: Boy's Can't Drive
    • Unnatural Settings
    • Thereafter
    • Breaking the Circle
    • Beneath the Surface
    • Tracing Landscapes
    • In Plain View
    • Urban Friction
    • Territories Unexplored
    • of White
    • "twofold"
    • Perceptions in Balance
    • Rhythms in Translation
    • Stephen Wilkes
    • Unraveling Abstraction
    • Art in Image
  • Art Fairs
    • Silicon Valley, San Jose
    • Untitled, Miami beach
    • NYC JAR project space
    • The Solo Project, Basel
    • Moving Image NY
  • Facebook
s millar marker full 3.jpg
Like many of my recent pieces, Marker references memorial stones, those boulders which celebrate and memorialize that which is past or lost. The sculpture’s sheet metal skin, rough, weathered, and rusted, shows the traces of time and use. The form resembles a decaying monument, a signpost with no message, a meditation on time and memory.
Marker (Detail)
2014, plywood, steel  71 1/4” h x 29" w x 24 1/2" d

 

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